Villa Adelina based in Argentina since the year 1961. Stain painter, amateur artist. Between 1977 and 1978 she began her studies by mail. In 1994 he resumed his studies by taking in several workshops. Currently studying at the studio of Fine Arts Crcova. Is a member of CLAM (Crculo de la Mancha) and APVA (plastic artist of Villa Adelina). Involving several group exhibitions in the north. Federal Capital participate in 100 years of Avenida de Mayo organized by the GCP No. 6 and No. 14 in the CGP Immigrant Museum, also participates in competitions Museo Eduardo Svori spots . He was elected to the Peace Poster Contest years 2003 and 2004, organized by the Lions Club. His teachers were Nilda Mariha Bragagnolo, Teresa Cancellara, Gustavo Roberto Scafidi Madueoy. Awards: 2002 2 Year Competition Award of the 3 age of San Isidro. 2003 1 Year Award Contest 3 San Isidro age. 1 Mention in the Club Vicente López Lions Competition Medal Stain Eduardo Svori Museum. Year 2004 1 Painting Competition Award Comastri Mirador. Two Medals Competition Stain Eduardo Svori Museum. Mentions three spots in the contest Eduardo Svori Museum. Year 2005 Jury Mention at 1 Spot Painting Contest Boedo. text prepared for the Exhibition of Sakiko Horita in Hiplito Rest & Art by Joan Llus Montand the International Association of Art critics: Sakiko Horita, enigmatic power of nature. Reflects the enigmatic power of nature, its mystery force that drives him to develop their energies freely. Captures the essence of them, apoyndose in color, breaking into the sensual dynamic of it, the will to get evidence, findings, in the sense of going more allde the limits of the forces that shape one's own need to know to be on the edge structure. Is a poet of color, that draws on the Zen wisdom that advances in the enigmatic of the wild, to move to the will of the energetic way in areas in which transformed the very essence of life. Captures light from impressionist landscapes, light, through the themed of the rivers that plasma density suggestive chromatic sensual, which're always accompanied by the presence of flowers, are a symbol of life, expressive individual in an environment of water, millions of drops in motion, which symbolize the transformative power of energy. Other scenes show the austerity of the night stressing the plant, making a melody of enigma studied. Works in Leo, acrylic and both techniques at once, allowing a complete change of positions, in the sense of traveling more allde apparent, because it is circumstantial, delving into the phenomenological the very essence of existence dvice. Shows landscapes, corners, high in the road, road with people on the edges, always trying to find a way to reach the end, which is to exalt nature, that is, and ourselves. Does an excellent synthesis between East and West, between the chromatic thoroughness of the Impressionists, characterized by the care of light and color and mitificacin captacin the natural position of meditation No plastic contained in the synthesis of the composition, typical of Eastern philosophy, the cultivation of Zen, the love of meditation in nature, some of it, emerging with her, to reach the volition of the energy. Work density of color, subtly, setting more or less nourished areas, making commitments to the varied range of reds, greens, blues, browns and yellows, each representing a part of the dynamism that captures the essence. Lover of detail, dependent on the importance of color, reflects the animosity and feelings contained on the excitement that makes up the landscape. Every element of nature, wild and visceral whether or constructed and influenced by man-houses, city scenes, sunsets, tornadoes, bends of rivers lonely, ports, ships at anchor, are a resource to the bounty of nature itself surrounding, reflecting the strength of what influences us, helping to achieve a happy unusual ability, able to advance in the proper position, located in the right place at the meeting point of the energies that set their own tours. Look for the mystery, even the most SPECIFIC angles, those that refer to the idiosyncrasies of true sensuality. A mystery that becomes a key that opens the door to the riddle, when transmitting the strength of the angles of urban scenes, houses of suburbia, the limits of the beach on the way to address populated roads, provided the angles. The angle is the terminacin of the structure, leads to less risk of confrontation smisma formal and denotes a clear lack of pretension dogmticas materials. In ahque not be recreated on the strength of the material, but not in the bombast of the houses. The constant presence of ships supported the idea of spiritual journey, the journey to the immaterial, dirigindose to other dimensions. The sunrise, sunset, the influence of the moon, the thick foliage, the presence of exotic plants is increasing its sensual desire to reach life from some of Hlito transcendence.